installation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by Cordula Ditz, Fainting, 2017, video, 3:15 min.

installation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by Christian Marclay, 1995 , Telephones, video, 7:30 min.

nstallation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by coyote, New Centuries Are Rare, 2023, 4:3 video, color, sound, 11:40 min. 

nstallation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by Lynda Benglis, Female Sensibility, 1973, video, color, sound, 14 min.

installation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by James Richards, Radio at Night, 2015, digital video, sound, 8:10 min.

installation view „Twentysix: (F)ound (F)ootage“, Screening, Julia Stoschek Fundation, Berlin, 2025, video by Simon Lässig, 2:23 minutes from: Anyaság, 1974, As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views, and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself. 2022